The clauses every agreement has, the ones specific to music, the traps that cost people their catalogue, and a working checklist for the studio and producer agreements you will actually be handed.
Nobody reading this is going to become a lawyer, and nothing here replaces one. What this lesson does is make a contract legible — so that you can see what a document is doing, ask a useful question about it, and recognise the handful of clauses that decide whether a deal was a good one.
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