Pre-delay, decay, early reflection level, density, diffusion, damping — each one as a perceptual lever rather than a number, plus the algorithm families and the mono check nobody runs.
A reverb plugin can present thirty controls, and most people set three of them and choose a preset for the rest. That is a reasonable survival strategy and it caps how good your mixes can get, because the parameters that separate reverb-that-sounds-like-a-room from reverb-that-sounds-like-a-plugin are mostly in the other twenty-seven.
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